A Lynchian State of Mind

As a lot of my Twitter followers have probably guessed, I’ve recently been going through a bit of a David-Lynch-filmography-binge-watching marathon. And, as always, I’m struck by Lynch’s interest in taking ordinary objects and locations and investing them with layers of hidden meaning. Whether it’s his long, lingering shots of the windy forests that surround Twin Peaks or the strange little close-up shots of ceiling fans and traffic lights that serve as codas to close certain scenes, the world of Lynch is oneRead more